About Sons
of Devils
British
scholar Frank Carew is in Wallachia to study the magic generator on nobleman
Radu Vacarescu’s land. There, his party is attacked by bandits and his friends
are killed. Pursued by a vampiric figure, he flees to Radu’s castle for help.
Unfortunately,
this is precisely where the vampires came from. If allowed, they would feed
unchecked and spread their undeath across the whole Earth, but Radu maintains a
shaky control over them and keeps them penned in his tiny corner of the
country.
As Frank
recovers from his assault, Radu finds himself falling for the young man. But
loving Frank and not wanting to lose him leaves Radu vulnerable to his demons’
demands. Can he bear to let them feed on the man he loves? Or must he give in
to their blackmail and set them free to feast on his entire country?
Now
available at Riptide. http://www.riptidepublishing.com/titles/sons-of-devils
Guest Post from Alex Beecroft
I really like
the idea of steampunk – of recasting some of those amazing Victorian era
stories with a more advanced technology, but a technology with an aesthetic
appropriate to the time. I can definitely see the appeal of getting together an
adventuring party of an English gentleman thief, an American cowboy, a Japanese
samurai and an elderly French pirate. (If this sounds oddly specific, it’s
because it comes from this Tumblr post.) And then putting them together on a
steam-powered dirigible and setting them off to fight crime.
The major
trouble with this, for me, is that I don’t really like the Victorians. That’s a
swingeing condemnation. I’m sorry! But it’s true – I have a prejudice against
the Victorians in a similar way to the prejudice I have against the Tudors.
Somewhere in the back of my head I have the Tudors marked down as a bunch of
torturers and the Victorians pigeonholed as uptight Imperialists.
So the
genesis of Sons of Devils and Angels of Istanbul came when I wondered
if you could do steampunk in the 18th Century. I’m not claiming the
18th Century was somehow morally superior – just that I like it
better.
Getting the
appropriate level of technology into an era that would have to be called
Sailpunk was never going to be easy. So I decided to revive magic instead, and
to treat magic as if it was a natural force that the people of the 18th
Century were only just beginning to study and learn to control.
But if magic
had been around from the beginning of history, continually and reliably being
used, (a) history would have been a lot different and (b) people would already
know at least the basics of how to control it. I needed a way to justify having
it as a recent and unknown phenomenon – and that’s how the Arising came about.
If the Atlanteans had found a way to harness magic and built an infrastructure
to support it in ancient times, then it would have stopped working when
Atlantis was drowned – and it would have started working again when Atlantis
returned.
That allowed
me to have a setting where history had been the same as our own until very
recently. Where people had only just started to notice their magical talents
and were still trying to work out how to use them. It left me at the very
beginning of a magical revolution, where scholars in every country were
suddenly scrambling to understand the underlying principles of the magical
arts, but where very soon people would begin inventing magical forms of
transport and combat.
I don’t know
about you, but I was quite excited about Sultan Mahmud’s idea of using large,
robust flying carpets as aerial gun platforms. Any country that was the first
to develop magical air power would have a heck of a tactical advantage.
Of course, a
sudden flooding of magic into the world is likely to have had further reaching
ramifications that nobody could have foreseen, and so my world is also filled
with magical/paranormal creatures who have had an influx of power and ambition.
It’s probably not going to surprise any readers who know what I’m like that I
hate to write in a universe that only has humans in it. There are no elves in
the Arising universe so far, but I’ve only just begun to feel out the shape of
it, so there may well be elves in future, if people want more after reading
about the strigoi. I am happy to say it’s a universe ripe for expansion.
Providing the vampires don’t take over the world, of course, and I’m not
telling you now whether they do or do not.
About Alex Beecroft
Alex Beecroft
is an English author best known for historical fiction, notably Age of Sail,
featuring gay characters and romantic storylines. Her novels and shorter works
include paranormal, fantasy, and contemporary fiction.
Beecroft won
Linden Bay Romance’s (now Samhain Publishing) Starlight Writing Competition in
2007 with her first novel, Captain’s Surrender, making it her first
published book. On the subject of writing gay romance, Beecroft has appeared in
the Charleston City Paper, LA Weekly, the New
Haven Advocate, the Baltimore City Paper, and The Other Paper.
She is a member of the Romantic Novelists' Association of the UK and an
occasional reviewer for the blog Speak Its Name, which highlights historical gay fiction.
Alex was
born in Northern Ireland during the Troubles and grew up in the wild
countryside of the English Peak District. She lives with her husband and two
children in a little village near Cambridge and tries to avoid being mistaken
for a tourist.
Alex is only
intermittently present in the real world. She has led a Saxon shield wall into
battle, toiled as a Georgian kitchen maid, and recently taken up an
800-year-old form of English folk dance, but she still hasn’t learned to
operate a mobile phone.
She is
represented by Louise Fury of the L. Perkins Literary Agency.
Connect with
Alex:
- Website: alexbeecroft.com
- Blog: alexbeecroft.com/blog
- Facebook: facebook.com/AlexBeecroftAuthor
- Twitter: @Alex_Beecroft
- Goodreads: goodreads.com/Alex_Beecroft
Giveaway
To celebrate
the release of Sons of Devils, one
lucky winner will receive a $10 Riptide credit and one ebook from Alex
Beecroft’s backlist! Leave a comment with your contact info to enter the
contest. Entries close at midnight, Eastern time, on March 18, 2017. Contest is
NOT restricted to U.S. entries. Thanks for following the tour, and don’t forget
to leave your contact info!
Maybe that's why I haven't read as much steampunk as I'd expect...
ReplyDeletevitajex(at)Aol(Dot)com
Me too! I blame having to read too much Charles Dickens at school.
DeleteI haven't read many steampunk but it is certainly a unique genre albeit complicated.
ReplyDeletehumhumbum AT yahoo DOT com
I haven't read a lot of it either, to be honest. I should really try it before I dismiss it like this.
DeleteLOL! I like the idea of Sailpunk...I actually enjoy reading steampunk a lot, there is something about the mixture of mechanics and magic that makes it very special. I'm so looking forward to reading Sons of Devils! And I'm glad to know it is an open university which can continue growing...
ReplyDeletesusanaperez7140(at)Gmail(dot)com
Thanks, Susana! I actually have another two books this size plotted out already, and a couple more sitting around in concept after that, but we'll have to see how these ones do before it's worth writing the next.
DeleteCongrats and thanks for the post. The book and cover look great. I love your stories, especially ones like this with historical aspects, like False Colors and Capt's Surrender. -
ReplyDeleteTheWrote [at] aol [dot] com
Thanks Steve! Me too :)
DeleteThanks for the post. I'd like to think that steampunk could exist in eras other than just Victorian. But maybe that's the very definition of the genre?
ReplyDeletelegacylandlisa(at)gmail(dot)com